”The slaves left”: White Womanhood in The Beguiled When looking through the filmography of Sofia Coppola, two things stand out: the fact...

Creating Spaces of Agency Through the Reimagination of Black Female Identity in Girlhood In this essay, I aim to locate the film Girlhood...

Post-national film and the Scandinavian Other – the deconstruction of borders in Border (Gräns, Ali Abbasi, 2018) Winner of the Swedish...

Intermediality and movement in Loving Vincent Theories on medium specificity are concerned with the inherent difference in different...

Death by cinema: media reflexivity in Inglorious Basterds The concept media reflexivity refers to the way in which films can reflect...

The past inhabiting the present, and manipulated memory in The Act of Killing The Act of Killing (Joshua Oppenheimer, 2012) is a...

Bländande vitt: makt, rasism och vithet i Mad Men Bloggen Stuff White People Like listar AMCs tv-serie Mad Men (2007-2015) som nummer...

Industrial reality far from the industry When Luc and Jean-Pierre Dardenne won the Palme d’Or for their film Rosetta in 1999, it was seen...

Challenging the patriarchal order Mai Zetterling’s film Flickorna (Mai Zetterling, 1968) was released to a dismissive audience. With its...

Denaturalisation of masculinity in Die Hard The 1970s saw a rise in a certain type of big-budget family movie – the blockbuster. These...